Images of Christ: The sea of faith

Rowena Loverance considers a work by Holman Hunt

Close-up of ‘The Scapegoat’, 1854-55 (oil on canvas), by William Holman Hunt (1827-1910) | Photo: Manchester Art Gallery, UK / Bridgeman Images.

When I was planning this series of articles, however I framed them, this work by William Holman Hunt always kept turning up on the list. It is not because I think it’s a great work – I don’t. It’s clearly intended to be grotesque, but I think it only succeeds in being absurd, with the massively overcoloured background and the mangy goat. (This is the Manchester Art Gallery version; Holman Hunt also painted a larger version, now in the Lady Lever Art Gallery at Ellesmere Port, in which the colours of both background and goat are slightly toned down.)

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